Opera Column: Opera rises like a phoenix from viral ashes
A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.
A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.
The French horn maestro talks about his Musica Viva tour and all things horn.
The musical performer discusses playing the Phantom in the West End and now for Opera Australia, as well as panic attacks and the power of meditation.
The composer tells us about his new work, which was commissioned by Mark Wakely in loving memory of Steven Alward.
Phillip Scott responds to our article Do Our Arts Reflect Us? and argues against looking at classical music programming through the prism of 21st-century ideas of diversity and gender equality.
Our Recording of the Month for June is the debut recital from Mauritian-Australian soprano Stacey Alleaume. Clive Paget caught up with the rising star soprano to talk repertoire, recording during a pandemic, and what’s ahead.
The vocal chamber work is based on the friendship of botanist Vera Scarth-Johnson and Guugu Yimithirr man Tulo Gordon, and involves Tulo Gordon's nephew Derek Rosendale.
On the eve of a new ballet, we ask why Tolstoy’s novel still inspires so many adaptations.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Give your nose wrinkling disdain at the musical taste of others a rest, says Diana Simmonds.
This month’s concert highlights from ABC Classic, independent radio and streaming.
Log in to read the PDF version of Limelight's June 2021 magazine.
Dulcie Holland’s diaries reveal her heartbreaking decision to leave London.