Whose voices get to be heard?
Why representation matters in Australian musical history, and what is at stake for all of us in deciding which musical stories we tell.
Why representation matters in Australian musical history, and what is at stake for all of us in deciding which musical stories we tell.
A Belgian choreographer and Gluck make perfect bedfellows, Schnittke wins a convert and Osmo Vänskä delivers an unforgettable Mahler 10.
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Sir Simon Rattle and bass-baritone Gerald Finley talk to Clive Paget about how Janáček spun something so profoundly philosophical out of a tale of foxes in a forest.
The stage performer, whose Bette Midler show The Divine Miss Bette has toured widely including to the US, discusses learning on the job in Wagga Wagga, and her excitement at premiering a new show at Tasmania’s Festival of Voices.
The Song Company premieres a Gavin Bryars classic in its 50th anniversary year.
Instead of only celebrating people when they’re in a box, let’s regularly tell them we love them, says Guy Noble.
What’s happening on stage this month? We’ve put together a list of the most exciting events taking place in May 2021.
Everyone should have equal opportunities to access and participate in the arts, says Morwenna Collett, who discusses the value of being inclusive, a roadmap for how to get there, some Australian examples and an international case study.
Lynden Barber turns to France in his latest column, spotlighting the fourth season of Call My Agent! and the film My Donkey, My Lover & I.
The violinist and Musica Viva FutureMaker chats to Limelight ahead of his tour with Konstantin Shamray and the ANAM Orchestra.
Sydney Conservatorium partners with The Women’s Club in Sydney to host a series of recitals highlighting female composers and performers.
Cameron Lam's latest playlist explores the range and expressive qualities of the clarinet family.