Old mates Teddy Tahu Rhodes and Guy Noble tell us about their upcoming recital at City Recital Hall and why live performance should be considered an essential service.

Aurélien Scannella, Krzysztof Pastor and Lisa Pavane talk to Jansson J. Antmann about the impact of COVID on the ballet world.

Rosbaud's Mahler, Boult's LPO recordings and a box of modern rarities from Karl-Heinz Steffens are among this month's highlights.

With so much great material for TV streaming viewers to choose from, the conundrum is how to navigate the oversupply, says Lynden Barber in his latest column.

Having picked up a paintbrush as a creative outlet during the COVID lockdown, Tim Draxl starts the year with his first major solo art exhibition.

Seann Miley Moore, currently performing in Rent, and Glace Chase, soon to star in trans love story Triple X, talk to Steve Dow about gender diversity in Australian theatre.

It’s time to come together, start going to concerts again, and help revitalise the arts says Guy Noble, who is so over You Know What that he refuses to name it.

Ben Neutze discovers how Sydney Theatre Company’s universally acclaimed production magically melds old theatricality with cutting-edge technology.

The tenor tells Clive Paget about recording his new series with pianist Nathan Williamson, the first volume of which is Limelight’s Recording of the Month for January–February 2021.

When he sang with his primary school choir at Sydney Town Hall the organ awoke something in David Drury. He has now played organs around the world – and the differences are mind-blowing.

Cultural and sporting institutions find themselves on the same team.

Francesca Dego dances with “the Devil’s” favourite violin.