Prior to the Don Burrows Memorial at the Sydney Opera House this Sunday, James Morrison pays tribute to his mentor and lifelong friend, "the most influential and beloved Bondi beach bum in Australian jazz".
Emily Havea will play cocky cowboy Curly in Richard Carroll’s production for Black Swan State Theatre Company. The musical will be performed in the round with a bluegrass quartet.
The Adelaide Symphony Orchestra’s Principal Clarinettist tells us about the thrill of competitive motorsports, how drifting changed his attitude to performing, and what it’s like to play Sibelius with a collapsed lung.
We speak to oboist Blair Tindall, whose memoir – and the hit TV series based on it – have inspired the Perth Symphony Orchestra’s latest candlelit concert.
Social distancing and disinfectant help tell a tale of love, madrigals and gender politics.
During Melbourne's COVID lockdown, the Australian tenor set to work on a new album. He has just released the first track on which he joined forces with Kanen Breen.
Log in to access the PDF version of Limelight November 2020.
Challenging scenarios for collaborative, COVID music making.
Find out what's on stage and streaming online in November from Limelight editors Jo Litson, Angus McPherson and Clive Paget.
COVID has dashed our Season Preview Guide but 2021 launches are underway.
The Co-Director of streaming platform Melbourne Digital Concert Hall explains how the need to help Australian artists drives the project's incredible momentum.
We investigate why classical music and the high arts are so inhospitable to people from the working-class in Australia – a country that considers itself a classless society where everyone has “a fair go”.
Phillip Sametz calls for more welcoming program notes.
