Michael Quinn talks to two of today’s brightest mezzo-sopranos, Kathryn Rudge and Elīna Garanča, about their very different readings of Elgar's Sea Pictures.

How Nicholas Harding started drawing actors from the wings.

As Wesley Enoch prepares his fifth and final Sydney Festival, we look at the successes and controversies of his artistic directorship, and whether the self-acknowledged risk-taker might follow his sister into politics.

The Chief Executive Officer of Arts Centre Melbourne reflects on singing in church as a child, favourite concerts, and music that has kept her sane during lockdown, from Bach’s Goldberg Variations to Hamilton.

Rare outings score over same old-same old, new wine in old bottles, and do we really need more Beethoven?

In a world where singing is dangerous, Guy Noble goes looking for his sense of humour and decides it’s time to move music outdoors.

Catch up on what's been in the Limelight with the top arts stories to recently make headlines.

Featured in a recent, semi-animated documentary called Recorder Queen, Genevieve Lacey loves her instrument’s humility, and says that the recorder has transformed her.

On Air & Online: Radio and live performances to stream in November 2020

The first woman to win the Prix de Rome, the short-lived Lili Boulanger left many questions tantalisingly unanswered.

Ahead of concerts for Southern Cross Soloists and Opera Queensland, the soprano tells us about how she fell in love with singing, her dream roles, and how she’s adapted to the challenges of 2020.

Loaned the multi-million-dollar 1734 violin when he was still a student at Juilliard, the young musician tells us about being its custodian, and recording his debut album.