Christopher Lawrence and Damian Barbeler take us behind the scenes of Sydney Youth Orchestra’s COVID-19 inspired digital project.

Pippin is the first big musical to return to the Australian stage post-COVID. How are the producers and venue managers making it happen, and what safety protocols do they have in place?

Ahead of his appearance at High Score 2020, the award-winning composer tells us about embracing his gaming roots in Mortal Kombat 11, where he thinks video game music is headed, and the challenges of playing in John Williams’ sandbox.

As the Australian maestro turns 90, the Tait Memorial Trust in London presents a special concert which will be live streamed on his birthday on 29 September.

Featuring music and lyrics by Makan, the song is performed by 101 CALD and BIPoC artists, and is a call to arms for better representation on stage and screen.

Lockdown was an opportunity to commission "Listen", a song that has resonated with many.

Peter Evans discusses the company's new series of debates, its podcasts Speak the Speech, and the likely return of the Prince of Denmark next year.

How a chorusmaster's cock-up caused an unsolicited encore in the middle of Elektra.

Log in to access the PDF version of Limelight October 2020.

As Sydney venues begin to open their doors, Steve Dow investigates the various COVID safety protocols in place.

From Nicola Benedetti’s “benchmark recording” of Elgar to Lang Lang’s less successful take on Bach.

As she prepares to lead the West Australian Symphony Orchestra in its return to the concert hall, the conductor tells us what she's been up to during the shutdowns.