The Australian composer explains how the COVID-19 lockdown gave he and his violinist wife, Akiko Miyazawa, time to develop ideas for their Perth-based chamber collective Cygnus Arioso.

Arts advocate Esther Anatolitis reflects on her three years as Executive Director of the National Association for the Visual Arts and the challenges still to come.

Behind every mediocre man there might be a fascinating woman.

With the Sydney International Piano Competition postponed until next year, a three-day digital marathon will take place on what was to have been the finals weekend.

The conductor and AD of the Central Coast Conservatorium of Music talks publicly for the first time about his rehabilitation after almost severing his left hand in a garden accident.

"I think it’s important that art keeps being made and being put out there," says Christopher Healey, who has been working on a project with musicians from all around the country.

The Sydney-based chamber choir’s Musical Director Margaret Tesch-Muller explains why she felt it was so important to push ahead with the program in an otherwise disrupted year.

Violins of Hope is an artistic and educational project composed of instruments owned by Jewish musicians before and during the Holocaust. Niv Ashkenazi is the first musician to record a solo album on one of them.

Piers Lane, whose new album is Limelight's Recording of the Month, explains why once recognised masterpieces can grow to be underestimated and neglected.

Flinders Quartet is to premiere a piece for string quartet, female voice and narrator, inspired by letters written to asylum seekers, which were returned to sender.

The Australian guitarist tells us about his new album with Ariel Nurhadi, his new routine during the covid-19 pandemic, and his plans for the future.

The conventional wisdom says that for the performing arts the online space is difficult, if not impossible, to effectively monetise. We speak to the musicians and presenters who are making a go of ticketed live streaming events.