In Your Living Room: Opera
Clive Paget recommends modern masterpieces from the Met, Rattle’s damnable Faust, and a seven-year-old Yo-Yo.
Clive Paget recommends modern masterpieces from the Met, Rattle’s damnable Faust, and a seven-year-old Yo-Yo.
In this week's column, Lynden Barber reviews the third season of Babylon Berlin, Spanish thriller Money Heist (and a spin-off doco about the series) and The Plot Against America.
The Canberra Symphony Orchestra's newly appointed Artistic Advisor shares her love of her hometown and her plans for its orchestra.
This week, Dr Nick Gordon explores art and celebrity in online exhibitions of Raphael, Rembrandt and Warhol.
Is it safe to sing in choirs? Does the coronavirus more quickly among singers? Lyn Williams from Gondwana Choirs and Brett Weymark from Sydney Philharmonia Choirs discuss the issues involved ahead of a second Gondwana webinar.
This week Deborah Jones enjoys some feel-good dance thanks to ABC Arts iView, including The Australian Ballet's The Merry Widow and Bangarra's Ochres.
Violinist Dale Barltrop tells us about the ensemble’s recording project which will see new Australian works released digitally across 2020.
This week, Jo Litson recommends The Tap Pack filmed on the SOH's Digital Stage, James Graham's This House from NT at Home, and In the Company of Actors, the doco about STC's Hedda Gabler starring Cate Blanchett.
Opera Queensland's Patrick Nolan discusses An Aria a Day, which has seen singers from around the world giving viewers their daily dose of opera.
The Australian guitarist tells us about how his projects have fared in lockdown, as well as the challenges and pleasures of giving online concerts from home.
Aware that he needed time away from the fast lane, the award-winning filmmaker spent eight weeks in a shed on an isolated WA beach. A mesmerising documentary of his experience premieres this week.
In this week's column, Angus McPherson checks out concerts by violinist Lisa Batiashvili in Berlin, the Australian World Orchestra and Zubin Mehta in Melbourne, and takes Concert Roulette for a spin.
When a West End musical they were developing was cancelled due to COVID-19, Sean O'Boyle and Amanda Jane Pritchard set to work on a new satirical musical within a musical.