Jessica Cottis on the sound of Canberra
The Canberra Symphony Orchestra's newly appointed Artistic Advisor shares her love of her hometown and her plans for its orchestra.
The Canberra Symphony Orchestra's newly appointed Artistic Advisor shares her love of her hometown and her plans for its orchestra.
This week, Dr Nick Gordon explores art and celebrity in online exhibitions of Raphael, Rembrandt and Warhol.
Is it safe to sing in choirs? Does the coronavirus more quickly among singers? Lyn Williams from Gondwana Choirs and Brett Weymark from Sydney Philharmonia Choirs discuss the issues involved ahead of a second Gondwana webinar.
This week Deborah Jones enjoys some feel-good dance thanks to ABC Arts iView, including The Australian Ballet's The Merry Widow and Bangarra's Ochres.
Violinist Dale Barltrop tells us about the ensemble’s recording project which will see new Australian works released digitally across 2020.
This week, Jo Litson recommends The Tap Pack filmed on the SOH's Digital Stage, James Graham's This House from NT at Home, and In the Company of Actors, the doco about STC's Hedda Gabler starring Cate Blanchett.
Opera Queensland's Patrick Nolan discusses An Aria a Day, which has seen singers from around the world giving viewers their daily dose of opera.
The Australian guitarist tells us about how his projects have fared in lockdown, as well as the challenges and pleasures of giving online concerts from home.
Aware that he needed time away from the fast lane, the award-winning filmmaker spent eight weeks in a shed on an isolated WA beach. A mesmerising documentary of his experience premieres this week.
In this week's column, Angus McPherson checks out concerts by violinist Lisa Batiashvili in Berlin, the Australian World Orchestra and Zubin Mehta in Melbourne, and takes Concert Roulette for a spin.
When a West End musical they were developing was cancelled due to COVID-19, Sean O'Boyle and Amanda Jane Pritchard set to work on a new satirical musical within a musical.
The choir’s live-streamed concert, performed under social distancing conditions, will feature music composed by survivors of the plagues that ravaged Elizabethan London.
Clive Paget recommends rarities by Stravinsky and Strauss, plus Barrie Kosky’s take on Mussorgsky.