Dr Nick Gordon goes on a digital 'walk-through' of the Bessie Davidson exhibition at the Bendigo Art Gallery, and tunes into some artist talks at Basel's Fondation Beyeler.

Deborah Jones explores Alexei Ratmansky's Cinderella created for The Australian Ballet, and also recommends Bangarra's Bennelong among streaming options.

In her first column, Jo Litson's highlights include NT at Home's Frankenstein, Red Line's Gruesome Playground Injuries, and Les Misérables – The Staged Concert.

Barrister by day, virtuoso by night, Australian-born Paul Wee has taken time out from the bar to record two of the most daunting works in the Romantic repertoire. Clive Paget talks to him about his singular career path and his fascination with the eccentric and reclusive Charles-Valentin Alkan.

In the first of our brand new In Your Living Room series, Angus McPherson looks at some of the exciting classical music concerts coming up online.

Chris Lian-Lloyd explores what classical music live streaming can learn from sports coverage.

We speak to Australian musicians working around the world about how they are responding to the challenges of teaching music remotely.

The UK-based Australian soprano thought she'd recovered from COVID-19 then had to be rushed to hospital as she struggled to breathe. She shares her petrifying experience with honesty and humour.

The veteran Queensland Symphony Orchestra musician recalls the memorable moments of nearly five decades in Brisbane.

Appointed Principal Conductor of the Filarmonica Arturo Toscanini at 27, the Birmingham-born conductor discusses leaving the cello behind, his mentor Andris Nelsons, and the lessons of Shostakovich.

Mathew Frank and Dean Bryant have written a new musical based on Miles Franklin's novel My Brilliant Career. Now they have released an original cast recording.

The trumpet – glorious and war-like – isn’t an instrument you can be shy about, says Swedish trumpeter Håkan Hardenberger. But it’s the combination of power and vulnerability that makes it special.