This week Jo Litson recommends John Foreman’s digital variety show Big Night In, and two live streamed concerts, Here’s to the Ladies and Lights Up on the Arts [Home Delivery].

The young violinist spent three weeks in Vienna and Salzburg observing and playing with some of Europe’s best and brightest thanks to a scholarship win.

This week's highlights include brand new solo flute and guitar recitals, and a genre-defying orchestral concert from the archives.

The Australian pianist and composer talks about her new album, Scattered on the Wind, her love of the ocean, and how she’s staying creative during the COVID-19 pandemic.

Lynden Barber recommends powerful new series Unorthodox, fish-out-of-water story The Attache, and the Before trilogy.

In the first week of our new series, Clive Paget highlights the pick of a bumper operatic crop to watch online.

Employment within the court of Louis XIV allowed Jean-Baptiste Lully to lavish his talents on creating spectacular works for the stage, as Jan Smaczny explains.

A candid assessment of those who went down and those who got off scot free.

Dr Nick Gordon goes on a digital 'walk-through' of the Bessie Davidson exhibition at the Bendigo Art Gallery, and tunes into some artist talks at Basel's Fondation Beyeler.

Deborah Jones explores Alexei Ratmansky's Cinderella created for The Australian Ballet, and also recommends Bangarra's Bennelong among streaming options.

In her first column, Jo Litson's highlights include NT at Home's Frankenstein, Red Line's Gruesome Playground Injuries, and Les Misérables – The Staged Concert.

Barrister by day, virtuoso by night, Australian-born Paul Wee has taken time out from the bar to record two of the most daunting works in the Romantic repertoire. Clive Paget talks to him about his singular career path and his fascination with the eccentric and reclusive Charles-Valentin Alkan.