Jessica Gethin is fast becoming one of Australia’s busiest conductors. She shares her mission to inspire others to be as curious about music as she is.

Thirty-six Shakespeare plays across eight days – and not an actor in sight. Instead, one performer tells the story with household items.

Audible Edge is “an experimental music bender” in Boorloo/Perth. Its co-curators Annika Moses and Josten Myburgh give us the festival low-down.

Schubert’s Winterreise is widely regarded as the pinnacle of German Lieder. German baritone Matthias Goerne discusses why he is so drawn to it.

When the Adelaide Symphony Orchestra talked to Elena Kats-Chernin about performing Fast Blue Village, she decided to revisit and refresh it.

Saxophonist and composer Jabra Latham discusses the journey to his new Saxophone Concerto for the Tasmanian Symphony Orchestra.

Pinchgut Opera’s Artistic Director discusses playing the Goldberg Variations on a two-manual harpsichord as JS Bach intended.

The leading lady discusses finding her voice and learning to play the harp for her role as Arwen in The Lord of the Rings – A Musical Tale.

Discovering how many Brian Coxes there are, Guy Noble envisages a special conference. Perhaps he could organise a Guy Noble get-together as well.

A round-up of our recent news reports.

This month’s performance highlights from ABC Classic, independent radio and streaming.

This month features Spanish Baroque opera, castanets and all, pitch-perfect Mahler from Simon Rattle, and the winner of a notorious song contest (hint: it isn’t Eurovision).