On the 150th anniversary of Ravel's birth, Robert Treviño and Bertrand Chamayou talk to us about why his music is so unique and widely loved.

They say it takes a village to put on a show, let alone a festival. That’s certainly true when it comes to Handa Opera at Millthorpe.

Screenwriter Peter Duncan, director Kriv Stenders and actor Richard Roxburgh talk about making the new Australian movie The Correspondent.

Liza Lim talks to Maddy Briggs about her curatorial vision for the Melbourne Symphony Orchestra’s 2025 Metropolis Festival.

The New York-based Australian pianist discusses forming Crux Duo with clarinettist Lloyd Van’t Hoff and the release of their debut album My Place.

Leading Black American countertenor Reginald Mobley talks about discovering his voice, his tour with Bach Akademie Australia, and the Trump administration.

Staging a commercial musical can help finance a potentially loss-making opera, but has Opera Australia tipped the balance too far?

Mindy Meng Wang began playing the guzheng at seven. Now based in Melbourne, she is a pioneer in introducing it to Western music.

Olivia Bettina Davies explains how her new work for piano four hands for the Canberra International Music Festival stands out from her recent works

The recently appointed Artistic Director of State Theatre Company South Australia explains how she came to adore the power of music.

Joanna Forbes L’Estrange tells Jo Litson about her choral reimagining of Vivaldi’s The Four Seasons.

A disc of Donizetti gold, a Mahler 3 from the Czech Philh and the best in homegrown chamber music. Simon Rattle’s latest Creation is the icing on the cake.