From flash mob choir to HIP Bach and genre-blending new music acts, the venue cracks opens the musical bubbly.

Working with Australian and Chinese dancers inspired an ode to reinvention.

The Australian writer, whose play Così tells the story of a Mozart production set in a psychiatric facility, discusses his eclectic musical tastes, which range from Wagner to Coltrane to ‘Drone Metal’.

Ahead of its burlesque take on The Tales of Hoffmann, Emotionworks Cut Opera’s Julie Edwardson discusses the company’s mission, performing in a cabaret environment, and taking on the opera purist.

The commercial producer discusses his collaborative partnership with NIDA to develop a new Australian musical.

Asher Fisch's Tristan, a Prokofiev Concerto, the Danish String Quartet and New York Polyphony all star.

A year on from the death of beloved conductor and educator Richard Gill, a new festival in his home town pays musical tribute to his legacy.

The New Zealand violinist shares her thoughts on what makes the ensemble unique, her role as a concertmaster back home, and why some works have stuck around.

Teddy Tahu Rhodes on his lucky break, three departing maestri reflect on their work in Australia, and your essential guide to the arts in 2020.

Meet the new classical superstars.

As Sydney Chamber Choir prepares for its November concert Time & Place, its Music Director Sam Allchurch reflects on his first full year in the job.

Opera Queensland and Circa Contemporary Circus are teaming up to tackle Gluck’s story of love and loss. Circa’s Yaron Lifschitz discusses his powerful vision for the opera, which he says is driven by desire.