Ahead of live performances in Australia, Nitin Sawhney tells us about revisiting his seminal album, Beyond Skin, two decades on.

Recent studies have revealed just how great the problem is and how much remains to be done, but is mental health in the performing arts a good news story in the making?

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The ACO Principal Violin and founding Director of ACO Collective looks back on her 25 years with the orchestra, the constantly exciting music-making, and the mind-blowing growth of the organisation.

What do you do with a chorus of witches? And a less than heroic hero? These are just some of the challenges Verdi’s Macbeth poses for a director, says Stuart Maunder.

In his new piece, Andrew Ford harnesses the voices of those connected to the land, who see it changing before their eyes.

The Scottish maestro is the Sydney Symphony Orchestra’s new Principal Guest Conductor. He talks to Clive Paget about early obsessions, managing relationships, and the thorny question of God and music.

The Director of Tasmanian Chamber Music Festival Allanah Dopson about a unique concert carousel that has audiences delighted.

The actor decided to make a documentary about mental health in the entertainment industry, screening on ABC, after his own struggles with depression.

Richard Wagner said he wrote music with an exclamation point. Isn’t the dramatic soprano the exclamation point? asks Nina Stemme. The world’s reigning dramatic soprano talks to Jansson J Antmann ahead of her much-anticipated return to Hobart for a Wagner Gala with John Lundgren.

Sukhjit Kaur Khalsa’s show about growing up Sikh in Perth serves up a musical feast.

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