Meet the new classical superstars.

As Sydney Chamber Choir prepares for its November concert Time & Place, its Music Director Sam Allchurch reflects on his first full year in the job.

Opera Queensland and Circa Contemporary Circus are teaming up to tackle Gluck’s story of love and loss. Circa’s Yaron Lifschitz discusses his powerful vision for the opera, which he says is driven by desire.

The CEO of Sydney’s City Recital Hall recalls the joy of proving her piano teacher wrong, working as an usher at Melbourne’s Princess Theatre, and dressing up to sit in the gods as an early operagoer.

This year’s Telstra National Aboriginal and Torres Strait Islander Art Awards exhibition is innovative and lively.

Feted in his own era, the French composer deserves to be remembered for more than the small handful of his works that are familiar today, says Roger Nichols.

Alumni, company members and audiences join forces to share memories in Us 50.

The much-loved jazz trumpeter is performing on the 2019 BRAVO Cruise of the Performing Arts alongside the likes of Bryn Terfel and Melinda Schneider.

The cellist tells us about his evolving relationship with Elgar’s beloved Cello Concerto ahead of his performance with the Canberra Symphony Orchestra.

Lan Shui proves you don’t have to be French to sound Gallic.

London’s raunchiest 18th-century impresario was a patron of JC Bach who had been Cassanova's lover.

After the 2011 earthquake, the Christchurch Symphony Orchestra was left without a performance space and could have closed its doors while rebuilding took place, but the musicians decided to keep playing in temporary venues. Chief Conductor Benjamin Northey explains what happened.