The harpsichordist will perform Bach's Goldberg Variations in the way the composer intended it to be heard.

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Stephanie Eslake explains how Tasmania’s secluded, idyllic location has inspired a creative movement, making the remote island state an ideal place for music and arts lovers to visit.

Why can't Australians get enough of Bach? We trace his appeal Down Under with musicians and musicologists.

Our reviewers and readers have voted for the artists who blew them away during the past year. So, who are the winners?

Jessica Gethin is fast becoming one of Australia’s busiest conductors. She shares her mission to inspire others to be as curious about music as she is.

Thirty-six Shakespeare plays across eight days – and not an actor in sight. Instead, one performer tells the story with household items.

Audible Edge is “an experimental music bender” in Boorloo/Perth. Its co-curators Annika Moses and Josten Myburgh give us the festival low-down.

Schubert’s Winterreise is widely regarded as the pinnacle of German Lieder. German baritone Matthias Goerne discusses why he is so drawn to it.

When the Adelaide Symphony Orchestra talked to Elena Kats-Chernin about performing Fast Blue Village, she decided to revisit and refresh it.

Saxophonist and composer Jabra Latham discusses the journey to his new Saxophone Concerto for the Tasmanian Symphony Orchestra.

Pinchgut Opera’s Artistic Director discusses playing the Goldberg Variations on a two-manual harpsichord as JS Bach intended.