The American conductor tells us about swapping guitar for baton, what recording can do for an orchestra, and her new Respighi disc, which is Limelight's Recording of the Month in April.

Before unleashing his new concerto with the MSO, clarinettist-composer Paul Dean talks about the musicians that inspired it.

You, our readers, share the performances you’ve loved (or hated), the music you’re listening to and the issues facing our industry.

The greatest voices of all time. Why women in the ballet industry are at a turning point. Charlie Chaplin's secret life. Andreas Ottensamer. Bach.

The award-winning actor tells us about Jason Robert Brown's musical, told from two different perspectives, and why she is elated to be starring in it.

So many factual liberties are being taken in recent Hollywood biopics, one wonders whether it’s time the tables were turned.

Founder Inara Molinari and Artistic Director Sarah Penicka-Smith tell us about the brand new choir they hope will become the flagship choral organisation for Western Sydney.

Australian Dutch-based conductor and violist Simon Murphy explains his relationship with Zelter's Viola Concerto and recording it on the new album JET SET!

Opera Queensland’s Artist in Residence Natalie Murray Beale talks about working with John Adams as she prepares to make her company debut, conducting the composer’s chamber opera.

The Russian’s Tchaikovsky meets Marriner’s Fauré and Ansermet’s French fare.

Returning to Sydney to take on a more dedicated role as AD of Pinchgut Opera, Helyard talks the company’s first concert of the season, his wish-list operas, and what he’s been up to in the recording studio.

We speak to Colin Stephenson, who is celebrating three decades volunteering for the radio reading service at 2RPH.