Ahead of his performance of Bach's St Matthew Passion, the organist and director explains why he ditched the Mendelssohn to edit his own version of the ‘greatest story ever told’ for Perth.

The experimental pianist tells us about his Piano Ex Machina tour, which comes to Australia this month, and how Internet users can control what he does on stage.

Over 100 of today’s finest Australian and international singers have cast their votes to determine the most influential voices across the ages. Now, 30 singers tell us what makes our top 30 truly great.

Johann Sebastian Bach’s duty to write music for the Easter period led to some of his most inspired and dramatically inventive masterpieces.

The American conductor tells us about swapping guitar for baton, what recording can do for an orchestra, and her new Respighi disc, which is Limelight's Recording of the Month in April.

Before unleashing his new concerto with the MSO, clarinettist-composer Paul Dean talks about the musicians that inspired it.

You, our readers, share the performances you’ve loved (or hated), the music you’re listening to and the issues facing our industry.

The greatest voices of all time. Why women in the ballet industry are at a turning point. Charlie Chaplin's secret life. Andreas Ottensamer. Bach.

The award-winning actor tells us about Jason Robert Brown's musical, told from two different perspectives, and why she is elated to be starring in it.

So many factual liberties are being taken in recent Hollywood biopics, one wonders whether it’s time the tables were turned.

Founder Inara Molinari and Artistic Director Sarah Penicka-Smith tell us about the brand new choir they hope will become the flagship choral organisation for Western Sydney.

Australian Dutch-based conductor and violist Simon Murphy explains his relationship with Zelter's Viola Concerto and recording it on the new album JET SET!