"The cello is being treated as a cello, and not as some trumpet-violin gone crazy," the German cellist says ahead of the world premiere with the Sydney Symphony Orchestra.

The Australian saxophonist gives us some reel talk about the new concerto, which draws on traditional Scottish dance forms, ahead of its Australian premiere with the Adelaide Symphony.

Rossini may have made his name and fortune as a master of comedy but a closer look at his life and work reveals a character of no little depth and darkness.

The Australian pianist gave her first public performance at the age of three, with the photos to prove it. Here she talks about giving the world premiere of Elena Kats-Chernin’s Third Piano Concerto.

Sydney Theatre Company offered Kate Mulvany the chance to go “big and bold” with an Australian novel. So she has written a two-part, five and a half hour adaptation of Ruth Park’s Harp in the South trilogy.

Ahead of the release of his period-instrument Winterreise for ABC Classics, the Australian baritone talks about preparing this monumental song cycle with the help of some 19th-century singers.

Ahead of his appearance as Baron Ochs in Melbourne Opera’s Der Rosenkavalier, the Australian bass discusses why the role is his very favourite.

Over the past two decades, Australian Heldentenor Stuart Skelton has quietly conquered the operatic world. He reveals how he discovered he wasn’t vocally bulletproof, and admits to an ambition to run an opera house.

In our second In-Depth column, Chris Latham, artist-in-residence at the Australian War Memorial, explores the cultural losses of WWI ahead of The Lost Jewels concert at the NGA.

At long last, Joseph Twist's setting of text by British Cardinal John Henry Newman will receive its world premiere.

We caught up with the Norwegian trumpeter in Townsville for the Australian Festival of Chamber Music in Townsville.

The choreographer didn’t have time for the plopping of elderly ladies as a child, opting instead for the Beatles and Australian punk. Nowadays it’s all about what allows her choreography to flourish.