The virtuoso guitarist tells Jo Litson about the crucial input of his family in his career as he tours, tops album charts, leads the Adelaide Guitar Festival, and prepares for a new baby.

The soprano and mezzo pair – who are close friends off stage – return to St George's Cathedral in a much-anticipated follow up to their Diva’s Delight concert two years ago.

It may have taken Ross Fiddes 36 years to get around to it, but with Love Stories, he seems to be making up for lost time.

The Senior Lecturer at the Sydney Conservatorium of Music discusses being an academic composer and introduces his new song cycle in our first ever Limelight In-Depth column.

After winning the first 2018 season of 3MBS’s The Talent, the New Zealand-born flautist tells us why collaborating with peers and performing the music of living composers is so important to her.

You – our readers – share your thoughts about the performances you’ve loved, the stories that have piqued your interest and the state of musical life in Australia.

In her new work Ruler of the Hive for narrator and orchestra, Melody Eötvös draws on the monologues of Shakespeare's leading 'ladies'.

Symphonic dress still tends to be traditionally black and formal. Mairi Nicolson wonders whether it’s time to shake things up a bit and offer orchestral musicians something stylish, contemporary and comfortable.

The versatile British clarinettist talks jazz, Messiaen and why he wants to try his hand at Rachmaninov’s Second Piano Concerto.

Ahead of its Australian premiere, Bernard Labadie talks to Justine Nguyen about his string arrangement of Bach’s towering Goldberg Variations.

Ahead of the ensemble’s anniversary concert, co-founder Jenny Duck-Chong reflects on Halcyon’s first two decades and the state of play for new music.

Growing up with Martha Argerich as a friend of the family, there was no way he wasn’t going to be a pianist. He talks to Justine Nguyen about his Queensland Symphony residence and his musical credo.