This July marked the centenary of Ingmar Bergman’s birth. Albert Ehrnrooth looks at the role classical music played in his films and theatre from The Magic Flute to Fanny and Alexander.

Following examples set in the natural world, Guy Noble says goodbye to Facebook and Mark-T-shirt-wearing-Zuckerberg.

The Scottish pianist will tour Australia performing chamber music, solo recitals and a new concerto. He talks to Clive Paget about his omnivorous appetite and musical passions.

Amy Beach left a legacy of hugely accomplished works, but, asks Anthony Burton, did the social conventions of the era in which she was living stifle her true potential?

The twin titans fell out of bromance thanks to a withheld score and a milliner’s letter.

Australian artist John Russell painted with the greats in Europe, now he’s finally getting his due.

The South-Korean pianist discusses her first solo recital tour in Australia and how she’s getting to grips with a challenging world premiere.

We caught up with the trio, fresh from their win at the Melbourne International Chamber Music Competition.

In his 90th birthday year, the Australian composer looks back on a career that spans half a century, and includes music for film and television, as well as classical concert music across genres.

Ahead of the Australian premiere of her Pulitzer Prize-winning Violin Concerto, we talk to the composer about the Beatles, gender bias and why the number 1726 had audiences scratching their heads.

Fresh from The Dallas Opera’s Hart Institute summer residency at The Juilliard School, conductor Carolyn Watson writes about what this unique opportunity means.

Dean Bryant and a top cast take on Oscar Wilde's classic comedy An Ideal Husband.