The Telstra National Aboriginal & Torres Strait Islander Art Awards is the country’s longest-standing, most prestigious exhibition of its kind, and it continues to develop to keep pace with the changing face of Indigenous art.
Critic Paul Selar gives us his insight into four of the operas on offer at Bayreuth this year.
As the English conductor prepares to conduct Act III of Meistersinger for SOSA, he shares his love of Wagner's music.
Chief Conductor Jessica Gethin talks about the orchestra’s new mindful concert experience, C.A.L.M., which offers a chance to decompress and escape the afternoon commute.
From Bach and Lieder to world premieres and tango, the AFCM's opening weekend delivers fresh, exciting programmes full of contrast and elan, writes Jessica Duchen.
The Chinese pianist and 2016 Sydney International Piano Competition of Australia star tells us about his new album Four Worlds.
The virtuoso guitarist tells Jo Litson about the crucial input of his family in his career as he tours, tops album charts, leads the Adelaide Guitar Festival, and prepares for a new baby.
The soprano and mezzo pair – who are close friends off stage – return to St George's Cathedral in a much-anticipated follow up to their Diva’s Delight concert two years ago.
It may have taken Ross Fiddes 36 years to get around to it, but with Love Stories, he seems to be making up for lost time.
The Senior Lecturer at the Sydney Conservatorium of Music discusses being an academic composer and introduces his new song cycle in our first ever Limelight In-Depth column.
After winning the first 2018 season of 3MBS’s The Talent, the New Zealand-born flautist tells us why collaborating with peers and performing the music of living composers is so important to her.
You – our readers – share your thoughts about the performances you’ve loved, the stories that have piqued your interest and the state of musical life in Australia.
In her new work Ruler of the Hive for narrator and orchestra, Melody Eötvös draws on the monologues of Shakespeare's leading 'ladies'.
