The South-Korean pianist discusses her first solo recital tour in Australia and how she’s getting to grips with a challenging world premiere.

We caught up with the trio, fresh from their win at the Melbourne International Chamber Music Competition.

In his 90th birthday year, the Australian composer looks back on a career that spans half a century, and includes music for film and television, as well as classical concert music across genres.

Ahead of the Australian premiere of her Pulitzer Prize-winning Violin Concerto, we talk to the composer about the Beatles, gender bias and why the number 1726 had audiences scratching their heads.

Fresh from The Dallas Opera’s Hart Institute summer residency at The Juilliard School, conductor Carolyn Watson writes about what this unique opportunity means.

Dean Bryant and a top cast take on Oscar Wilde's classic comedy An Ideal Husband.

Garry Stewart has his sights set on creating a pre-eminent arts event with the Adelaide Dance Festival.

A fully-staged version of Rossini’s William Tell hasn’t been seen in these parts for over 140 years. But, as director Rodula Gaitanou says, so much of this work remains just as relevant to us today.

Actor Don Hany was raised on a steady diet of Beethoven and Brahms, as well as Jackson and Cohen. Now learning the violin, he’s revisiting the classics while preparing for his turn as the dashing Nick Arnstein.

The baritone is one of the guest artists at this year’s Festival, where he’ll be performing as well as giving masterclasses.

Two years on from his Sydney International Piano Competition win, the busy Russian pianist tells us about new friends, new recordings and hearing your own inner voice.

Women composers are wildly under-represented in Australian music across all genres but, as Rosalind Appleby discovers, a groundswell of change is gathering force.