Despised and rejected, Hector Berlioz vowed he’d write no more, until a game of cards sowed the seed for a miraculous final flowering.

The Polish pianist, whose latest Mozart disc is Limelight's Recording of the Month in June, explains how each concerto tells a story.

German violinist Anne-Sophie Mutter talks about her mentor Karajan, climbing new music mountains, and stalking Daniil Trifonov.

The June 2018 issue of Limelight Magazine features Queen of the Violin, Anne-Sophie Mutter on Tchaikovsky, Star Wars and stalking Daniil Trifonov.

We speak to artist Jonathan Zawada about his 3D light sculpture, which takes the sails of the Sydney Opera House as its monumental canvas.

Does his digital orchestra put musicians out of work? David Stanhope says that’s not his intention, instead he is using it to bring neglected music to life – and he reckons few can spot the difference.

Charting her personal journey with the great 50s songstress in a new show, McGregor talks about why Sumac’s story is particularly relevant this year.

The renowned actor plays Joan of Arc in a "modernist" production for STC.

We’d love to hear about the performances you’ve loved (or hated), the music you’re listening to or your favourite artists.

Created for Vivid Sydney, The Liminal Hour has a luminous creature called Marri Dyin charming audiences.

The cellist and curator of UKARIA 24 talks about his love of chamber music and what working with living composers can teach us about the music of the past.

A 60th Anniversary Celebration Concert of the Australian musical plays on Saturday, with hopes for a full production.