The June 2018 issue of Limelight Magazine features Queen of the Violin, Anne-Sophie Mutter on Tchaikovsky, Star Wars and stalking Daniil Trifonov.

We speak to artist Jonathan Zawada about his 3D light sculpture, which takes the sails of the Sydney Opera House as its monumental canvas.

Does his digital orchestra put musicians out of work? David Stanhope says that’s not his intention, instead he is using it to bring neglected music to life – and he reckons few can spot the difference.

Charting her personal journey with the great 50s songstress in a new show, McGregor talks about why Sumac’s story is particularly relevant this year.

The renowned actor plays Joan of Arc in a "modernist" production for STC.

We’d love to hear about the performances you’ve loved (or hated), the music you’re listening to or your favourite artists.

Created for Vivid Sydney, The Liminal Hour has a luminous creature called Marri Dyin charming audiences.

The cellist and curator of UKARIA 24 talks about his love of chamber music and what working with living composers can teach us about the music of the past.

A 60th Anniversary Celebration Concert of the Australian musical plays on Saturday, with hopes for a full production.

With work from all round the world, this year typifies the grand adventure of film festivals.

Popular entertainer Tom Burlinson grew up smack-bang during Beatlemania in England and enjoyed a bit of Santana and Led Zeppelin as a teen. But at the end of the day, it’ll always be Frank.

The artist, whose last Australian event saw more than 5000 naked bodies arrayed on the Sydney Opera House steps, is coming to Melbourne with Return of the Nude.