It’s 20 questions time for Marcelo Puente
Ahead of his Opera Australia debut as Don José, the Argentine tenor talks favourite sopranos, fantasy dinner guests, and guilty pleasures.
Ahead of his Opera Australia debut as Don José, the Argentine tenor talks favourite sopranos, fantasy dinner guests, and guilty pleasures.
The early music pioneer has revived treasures from the world’s four corners. We learn about an early passion for Elvis and some wise words of Mark Twain.
A new opera company run by young artists will have its first ever performance this month. We speak with tenor Spencer Darby about AOC's inception and Handel's Ariodante.
Shostakovich was 20 when he began writing The Nose. Barrie Kosky was around the same age when he fell in love with it.
As Decca releases Sir Georg Solti's complete Chicago Symphony recordings, the conductor’s widow talks about his musical philosophies, and why she'd never partner him at bridge.
The London-based Australian pianist has teamed up with perfumer Nadjib Achaibou to take listeners on a sensory journey.
Kathryn Selby, Zoe Knighton, Timo-Veikko Valve and more share their favourite bits of Bach ahead of the 3MBS Bach Marathon.
Ahead of Melbourne Opera's Tristan, the conductor talks about Bayreuth, finding that extra dimension in Wagner, and the importance of empathy in the rehearsal room.
The veteran British bass has some advice for young basses and reveals the secrets of Reginald Goodall and his hidden room.
The composer talks about the pleasures of produce and the importance of Fair Trade ahead of her performance at the Night Market.
CIMF Artistic Director Roland Peelman speaks to the former-nun-turned-composer about her upcoming string quartet.
Can a bunch of modern Aussie schoolkids bring pop concert energy to The Last Night of the Proms? You bet they can!
With her new double bass concerto premiering in Australia, Missy Mazzoli is one of the most successful women composers around. She also has big plans to get more girls writing music.