Like Strauss, WASO’s Munich-based maestro knows a thing or two about hiking in the Bavarian mountains.

The Adelaide Biennial and Biennale of Sydney put the contemporary in contemporary art.

Now based in Paris and soon to make her Met debut, high-flying soprano and new mother Nicole Car talks to Jo Litson as she returns home for a concert tour with the Australian Chamber Orchestra and an important role debut with Opera Australia.

Steve Dow takes a look at initiatives to create work inclusive of artists with a disability. But are fear, a lack of understanding and insufficient funding holding us back?

The “connoisseur’s pianist” talks about the vitality of Beethoven’s music and the concerto that launched the Brazilian pianist’s career at age 12.

Belgian director Ivo van Hove returns to the Adelaide Festival with another thrilling, epic production.

Israel Galván, a toreador of dance and stage chameleon, is headed for Adelaide.

The British performance artist talks about tackling the C-word in her latest play.

The March 2018 issue of Limelight Magazine features Australian star soprano destined to follow Sutherland to the very top – meet Nicole Car.

For many, the works of Debussy and Ravel go hand in hand, but for the French pianist (who’s recorded the complete piano works of both) the two couldn’t be more different.

What can the pianist-composer’s heart, preserved in a jar of cognac, tell us about his death?

The Georgian-born violinist on her new all-Prokofiev album and why she won’t be performing in Russia any time soon.