One of the participants in SDC's choreographer development initiative tells us about his work, which uses music by Rachmaninov and Prokofiev.

In a good news story, the Sydney Con and others are getting behind the aims of the National Music Teacher Mentoring Program.

The December 2017 issue of Limelight Magazine features our annual Limelight Recording of the Year, why Bach's yule-fest trumps Messiah, and the scraps of music hiding a royal secret.

Born into poverty in China, “Mao’s Last Dancer” – now AD of Queensland Ballet – describes his first contact with an unearthed Swan Lake.

The young pianist encountered robbers, stowed away, and worked the docks in New York.

Ahead of an ANAM concert featuring piano works for four hands, the renowned pianist shares his thoughts on the musical form.

The maestro, and WASO Principal Conductor, celebrates the joys of French and putting sex on stage.

The Polish pianist has strong views on returning to the studio and the evils of unbridled technology.

The cellist, whose recording is Limelight's Orchestral Recording of the Year, explains why he returned to the concertos after 27 years.

Leading the pilgrimage to the bush: two cellists, Anthony Albrecht and Rachel Johnston, are trekking though rural and remote parts of Australia.

Four years after his acclaimed Evangelist with the Australian Chamber Orchestra, English tenor Nicholas Mulroy is back for more.

From the sublime to the ridiculous, the British pianist describes the challenges of Haydn, Beethoven and Brahms.