The Polish pianist has strong views on returning to the studio and the evils of unbridled technology.

The cellist, whose recording is Limelight's Orchestral Recording of the Year, explains why he returned to the concertos after 27 years.

Leading the pilgrimage to the bush: two cellists, Anthony Albrecht and Rachel Johnston, are trekking though rural and remote parts of Australia.

Four years after his acclaimed Evangelist with the Australian Chamber Orchestra, English tenor Nicholas Mulroy is back for more.

From the sublime to the ridiculous, the British pianist describes the challenges of Haydn, Beethoven and Brahms.

The opera may be 375 years old, but with its sex, murder and lust for power it feels as contemporary as the latest HBO hit.

The Heath Quartet's double CD of Bartók’s complete string quartets has won Limelight's Recording of the Year 2017.

From road rage to Twitter rants, why can’t people behave more like concert audiences and engage brains before making a fuss?

By peering into the deepest of waters, the SSO Chief explains, Bartók shines a light on some universal truths.

The renowned musical theatre performer is relishing being in Eddie Perfect's new satirical "play with songs" about the Australian obsession with real estate.

Ahead of Monteverdi's Coronation of Poppea, Pinchgut Opera shares photographs from the rehearsals.

The Australian composer will see revivals of two of his musicals playing simultaneously in January.