The Dutch cellist talks about the pleasures and challenges of performing a three-night marathon of the masters’ cello works. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The work in progress showing of Cat Hope's new experimental sound opera left one writer virtually speechless.
Dvořák could easily have ended up a jobbing musician in some small town but his ambition and genius led him down a different path.
Jewish artists fleeing persecution in Europe in the 1930s created work in Australia, the US, Japan and even in concentration camps. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Tokyo-born, Montreal/New York-raised violinist shares her favourite recordings and the music she could live without. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Jonathan Henderson will premiere the Australian composer’s new work with the Brisbane Philharmonic Orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The famous virtuoso violinist suffered ill-health all his life, but his troubles didn’t end with his death.
The Aussie bass triumphed at the 2017 Opera Awards, giving him the opportunity to hone his craft abroad. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The award-winning artist will recreate Hogarth’s The Enraged Musician to the sounds of the Australian Art Quartet. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Queensland Youth Orchestras’ founder has been mentor, guru and musical legend for a generation of Australian musicians.
After making her name on the international scene, the soprano returns to her hometown for Wagner’s Lohengrin. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of her appearances with the SSO, the mezzo talks big girl roles, speaking German, and the pleasures of the recital. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Why did the brilliantly crafted works of one of the greats of 19th-century French opera suddenly disappear from the repertoire?
