With less than five weeks to go, the competition teeters on the knife-edge. Here's some playlists to help you hone your decision.

Melbourne saxophonist and composer Holly Moore opens up on the creative process that shaped her latest album, Flood.

Being a composer is not about sitting in a room writing complex symphonies, says Matthew Hindson. It's about making music that connects.

With tracks designed to create a sense of tranquillity amid chaos, Emily Granger and Edwardes hope their new project, Magic Sky, can help listeners toward healing.

After an emotional farewell tour, Goldner String Quartet ends where it began. "We have definitely made the most of our time together", says violist Irina Morozova.

Log in to read the PDF version of Limelight's December 2024 magazine.

A new opera about Las Vegas’s famous magic duo, Siegfried & Roy, has its world premiere at the Sydney Festival.

Blown away by the ingenious use of music in the award-winning cartoon Bluey, Andrew Luboski talks to lead composer Joff Bush.

Presented by Perth Festival, Canada’s Why Not Theatre bring the Sanskrit epic to a new generation of theatregoers.

Are you partial to cruising? Do you love the performing arts? Then why not combine the two? Jo Litson embarks on the BRAVO Cruise of Performing Arts.

The composer, writer and broadcaster recalls a childhood full of music, the first time he saw a composer in the flesh and turning a Beatles’ song into a lullaby.

Stuart Maunder will fulfil a bucket list dream when he directs Sondheim and James Goldman's Follies for Victorian Opera. He tells Jo Litson why the musical is so special, and challenging.