Pioneering artists Margaret Preston, Grace Cossington Smith and Georgia O’Keeffe explored remarkably similar ideas. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Composer Leah Blankendaal discusses the Adelaide-based new music ensemble's upcoming concert featuring Allison Bell.
The Crossroads Festival of Chamber Music 2017 is dedicated to the memory of the Musica Viva founder and zipper designer. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
We look at how the cup of the Last Supper cast its spell over one of music’s great agnostics. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In Townsville for the Australian Festival of Chamber Music, the pianist pulls one composer apart and puts the other back together. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
With a performance like his, we should be thankful that the President of the United States isn’t a fiddler... or is he?
The German soprano’s Meyerbeer disc is Limelight’s Recording of the Month for August 2017. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
For her new work, Valley of Lost Things, Kate Neal took her inspiration from memory, grey spaces and a trip to the moon. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Misunderstood in their own day, what is it about Beethoven’s late string quartets that keeps players and audiences coming back?
The video game composer was responsible for producing the first ever video game score recorded by an Australian orchestra.
After his triumph as King Roger, the Australian baritone is excited (and nerve-wracked) to perform with Jonas Kaufmann. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Two Wagner operas lie at the heart of the tenor's repertoire. We grilled him on all things Wagner ahead of his Aussie Parsifal.
For the English pianist soon to tour Australia, Schubert is like wine – he gets better and better with age. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
