The eccentric Russian’s master plan was to dissolve the world in a blissful apocalypse through his final work, Mysterium.

The soprano is looking forward to a new set of dynamics as she joins her co-stars ahead of Opera Queensland performances.

Children may not all have the voices of angels, but perhaps torturing the young is killing off the audiences of the future.

The French pianist loved the classics before discovering the Stones; 40 years after his first disc he still straddles both worlds.

In the debate on the value of recorded accompaniments, accompanist Peta van Drempt is definitely in the 'for' camp.

Very much a Renaissance man, the violinist talks about life, thinking outside the box and his hopes and fears for all of our futures.

The home-coming Music Director tickles the ivories while discussing Swan Lake and ballet music in general.

The in-demand Australian maestro talks about a life of the road and the importance of the message behind the music.

Now musical theatre royalty, Nancye Hayes reminisces about her first radiogram and why she’d never make a ballerina.

Twins Jessica and Olivia Ellis brought their instruments and open minds to the orchestra's composition masterclass.

Orwell’s dystopian nightmare has seldom seemed quite so up-to-date – and it’s coming to a theatre near you...

Ahead of her Australian tour, the Canadian pianist explains why communicating with audiences is vital.