Cheng Tsung-lung turns his gaze to the Full Moon
The Taiwanese choreographer discusses his new work for SDC, and how he used Instagram to get to know the dancers.
The Taiwanese choreographer discusses his new work for SDC, and how he used Instagram to get to know the dancers.
A new biennial on contemporary art is showing at Carriageworks, the Art Gallery of NSW and the Museum of Contemporary Art.
Graeme Murphy’s ‘Gum-Nutcracker’ celebrates the very history of ballet in Australia.
The Latvian violinist shares her favourite recordings and her most embarrassing moment on stage.
The Concertgebouw’s youngest concertmaster now heads both the New York and the Hong Kong Philharmonics.
Guido van Helten’s larger-then-life portraits are the flagship of an arts initiative that’s revitalising the town.
Keen for his instrument to boldly go where no oud has gone before, Joseph Tawadros has looked to Egypt for his new concerto
Currently playing Richard III in Melbourne, the Australian actor's new play about the Russian mystic is showing in Sydney.
The Artistic Director of the Canberra International Music Festival describes the music born in the cauldrons of change.
He sometimes gets a rough ride in matters of musical craft but we underestimate the emotional eloquence of Bellini at our peril.
The SDC rising star discusses small towns, his inspiring Pre-Professional Year and how to handle boobs in your face.
The cellist talks about being an invader ahead of his performances at the Margaret River and Dunkeld Festivals.
He realised early that if he wanted his instrument to be taken seriously he had to perform contemporary music.