Growing up in Argentina, he joked about imitating women’s voices and studied bel canto because no-one taught countertenor.

Newly commissioned works by Bakrnčev, Barton and Wolf will form the centre-piece of Maddilyn Goodwin’s interdisciplinary project.

A play lurching from one theatrical disaster to the next has proved a worldwide hit.

The Acacia Quartet's Stefan Duwe explains why the composer, banned in Hitler's Germany, should be heard more often.

The Flinders Quartet's Zoe Knighton explains what happens when you mix and match the seating arrangements.

An al fresco session between the composer and the psychoanalyst resulted in a two-word diagnosis.

The Australian Romantic & Classical Orchestra is attracting Australian musicians home, says clarinettist Nicole van Bruggen.

The orchestra was love at first sight for the Perth-bound Israeli conductor – the sounds, the instruments, the cigarettes, the coffee...

Filling the void left by Hobart Baroque, Julia Fredersdorff's new period ensemble will launch at Ten Days on the Island.

The British choreographer and new Artistic Associate at Queensland Ballet seems a real Dream.

On International Women's Day, we're celebrating a respected and pioneering career of composer Margaret Sutherland.

Phoebe Briggs on the pleasures and challenges of conducting Respighi’s rarely heard marionette opera for Victorian Opera. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in