Is Coppélia ballet’s first Frankenstein?
Beneath the sunny façade, David McAllister discovers a tale of broken dreams. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Beneath the sunny façade, David McAllister discovers a tale of broken dreams. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
It’s not over yet for the legendary singer, who is lapping up his final world tour, and excited at embarking on his first cruise.
The Australian mezzo is finishing off her year with Pinchgut Opera’s latest show and SwanSongs Perth. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
He’s complex, lengthy and often frustrating. But give Bruckner due attention and he has power to captivate like no one else.
The Finnish maestro discusses the joys of Sibelius’s symphonies and thoughts on his second cycle. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Practice might seem the obvious answer, but the Manly Warringah Choir might have a better scheme.
The man who shocked the dance world when he left the Royal Ballet at 22 admits he cried his way through a new documentary. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Peter Taplin argues why a recording producer needs to intervene as advocate for the dead. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Arts organisations around the world have been stopped in their tracks by the latest Internet fad, here are our favourites.
Australian composer Matthew Hindson discusses the dangers and pay-offs of risk-taking for emerging composers.
The conductor of this year’s Tait Memorial Trust concert on gender, education and musical styles. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The American soprano reflects on the dangers of typecasting and the status of Gershwin’s opera today. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In directing an adaptation of Chekhov by US playwright Annie Baker for Red Stitch, Tass is in theatre heaven. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in