Why is no one vomiting in timpani any more?
Australian composer Matthew Hindson discusses the dangers and pay-offs of risk-taking for emerging composers.
Australian composer Matthew Hindson discusses the dangers and pay-offs of risk-taking for emerging composers.
The conductor of this year’s Tait Memorial Trust concert on gender, education and musical styles. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The American soprano reflects on the dangers of typecasting and the status of Gershwin’s opera today. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In directing an adaptation of Chekhov by US playwright Annie Baker for Red Stitch, Tass is in theatre heaven. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
US composers last century sought something distinctively American. Was it under their noses the whole time?
Opera Australia’s Valkyrie talks about the highs, the lows, the hojotohos and how Anna Wintour inspires her interpretation. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
From found music and fart noises to finding your voice, four emerging dancemakers embrace the chance to invent the new. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Permission to Speak aims to explore parent-child relationships through sound, action and percussive cutlery.
Now he is thought of as an old Dutch master, but Louis Andriessen a former apostle of Marxist modernism would doubtless shy away from such titles.
Born Eliza Gilbert in County Sligo, Lola Montez became the muse of composers, politicians and crowned heads.
The German Heldentenor in Opera Australia’s Ring talks stamina, directorial decisions and the joys of being dead. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
For one half of the 2Cellos duo there are only two kinds of music: good and bad. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
50 years on from his tragically early death, Clive Paget talks to Barbara Wunderlich about her father’s golden legacy. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in