When it comes to bel canto, might a microphone or two might help it come over a little more ‘con belto’? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Considering the legacy of Morton Feldman, the radical American composer who would have turned 90 this year. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Lindy Hume explains why she is excited to be co-creating a dark, erotic retelling of the Grimm fairytale.
The American composer tells it on the mountain with her gritty, moving and award-winning Civil War-era opera. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Venezuelan-American cellist has ‘decoded’ the Cello Concerto using the composer’s own cryptographic techniques. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Speculative fiction, new music and flutes will come together in a performance at the Melbourne Fringe Festival. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A rare opportunity to hear some of the best North American musicians performing gems of classical music. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Israeli contemporary dance company is returning to Australia after 23 years to perform at the Sydney Opera House. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
On the launch of her new CD with "the dancing conductor", the singer recalls the winding path to vocal glory.
The Dutch pianist and early music specialist keeps a tuner on call when he’s recording works for fortepiano. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Russian dancer who battled schizophrenia, yet changed the face of ballet, is now a ballet himself.
The Georgian-born pianist talks about growing up in the Soviet Union, the Russian school and meeting Shostakovich.
Alice Chance explains why witchery, rather than madness, is the focus of her latest composition.
