With the English violinist’s new recording about to be released, she chats about the intellectual challenges of Bach. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Music for Cats is written for felines themselves, but here are some of the greatest cat-inspired works to give you paws.
The Dodds family produced a bumper crop of violinists, reunited in the Australian World Orchestra.
Composer Lyle Chan explains how he won the blessing of the 96-year-old whose first crush was Benjamin Britten. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
While the Australian composer doesn’t identify as Christian, for him, the mass is much more than worn out ritual. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
From saxophone orchestra to wind symphony, Katia’s latest piece showcases woodwind in a new and innovative way. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In the thick of his second Brisbane Festival, the Artistic Director talks about the importance of risk and collaboration.
The conductor explains why A Sea Symphony launches his soul on a passage to choral heaven. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
With a world-class orchestra, thermal baths and the aromas of spice and coffee, Budapest is a stimulant for all the senses. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Deborah Cheetham’s Pecan Summer will receive a one-off performance at the Opera House. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Sydney Theatre Company director hopes to capture the heady thrill of escape and the dangers of sexual control. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Malcolm Williamson’s opera was hailed as the best thing since Peter Grimes, yet it sank as its composer sank. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Over a lifetime that witnessed unprecedented musical and social upheaval in his homeland of Russia, Alexander Glazunov remained resolutely his own man.
