Guy Noble’s Soapbox: Hell is a Musical Thesis
Or should Malcolm Turnbull look to music schools if he values ideas on audiation and psycho-active emergent relationships?
Or should Malcolm Turnbull look to music schools if he values ideas on audiation and psycho-active emergent relationships?
From drag queen to director, we talk to the hard-grafting musical theatre star about his latest career challenge. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The second in our series of interviews with the jurors for the Sydney International Piano Competition of Australia. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
West Australian Ballet presents a story you love, but perhaps not as you know it. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Many consider it the great Australian novel. So will George Palmer’s adaptation be the next great Australian opera? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Rite of Spring may have caused a riot, but this oratorio needed the police to keep the audience in order. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
We talk with the soprano about life, musical loves and the remarkable year she experienced in 2015. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The outspoken and award-winning playwright reveals why she isn't afraid to tell the truth about Australia.
The two long-term collaborators take us behind the scenes of their new double disc. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
At only 30, the soprano is fast becoming an in-demand operatic globetrotter. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Korean-born soprano talks about embracing the cultural perils of Puccini’s tragic Madama Butterfly. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Four hours in a theatre is one of our Editor’s not-so-secret pleasures. But is this becoming an impossible ask for many?
Peter Maxwell Davies was the late composer the Mancunian wild child with the power to shock and awe, or was he the Orkney-dwelling establishment figure? As it turns out, the two are entirely compatible.