We talk with the soprano about life, musical loves and the remarkable year she experienced in 2015. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The outspoken and award-winning playwright reveals why she isn't afraid to tell the truth about Australia.
The two long-term collaborators take us behind the scenes of their new double disc. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
At only 30, the soprano is fast becoming an in-demand operatic globetrotter. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Korean-born soprano talks about embracing the cultural perils of Puccini’s tragic Madama Butterfly. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Four hours in a theatre is one of our Editor’s not-so-secret pleasures. But is this becoming an impossible ask for many?
Peter Maxwell Davies was the late composer the Mancunian wild child with the power to shock and awe, or was he the Orkney-dwelling establishment figure? As it turns out, the two are entirely compatible.
Competitive creativity is a problematic concept, but the Keir Choreographic Award shows why they’re useful. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Fording the stream from opera to musicals, this plucky opera singer explains the differences between performing the two genres. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The British conductor reveals how he transforms modern orchestras into perfect period ensembles. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Paul Stanhope explains how the melancholy music of John Dowland became the inspiration for his upbeat new concerto. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The first in our series of interviews with the jurors for the Sydney International Piano Competition of Australia.
The director of the Canberra International Music Festival shares why narrative is at the heart of his approach.
