Limelight wraps up the key takeaways from the Australian Music Centre's Surrounding Sound Conference.

The revamp of an iconic theatre ensures Brisbane will remember this party long after it is over.

An immersive new production of the opera Dead Man Walking reflects on crime and punishment within the walls of one of Australia's most notorious prisons.

"If I lost my voice tomorrow, I’d still want to be a guitarist in a band." Country star Troy Cassar-Daley prepares to show off his chops at the Adelaide Guitar Festival.

We're celebrating our 250th issue this month. Rather than look back, we've asked leaders in the field to imagine what Australian theatremakers might be presenting when we publish Limelight #500.

This month, Cameron Lam’s Australian Art Music playlist seeks out shiny and new Classical, Jazz, & Sound Art by local composers.

Ahead of the Australian World Orchestra's performances of Mahler's Fourth and Fifth Symphonies, we look at the film and TV moments in which you might have heard them before.

The American cellist talks 19th-century showboating and finding his inner Carmen.

Adelaide Guitar Festival star Lau Noah is a virtuoso player, but storytelling – not showboating - is her focus. "If it doesn’t move me, it won’t move the listener".

100 axes! 100 amps! Canadian composer Tim Brady's mass music project 100 Guitars is ready to rock this year's Brisbane Festival.

80 years after the destruction of Hiroshima and Nagasaki, Allan Marett’s Noh play inspired by the "father of the atomic bomb" is being performed in Japan.

In an era in which Australian music festivals struggle with sustainability and curating distinctive offerings, Montreux shows us what is possible.