Inspirational thinkers like Steve Jobs, Nelson Mandela, and even Professor Stephen Hawking, get the Twist treatment. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Newly appointed artistic director of the Four Winds Festival, Paul Dean, shares his key curatorial ingredients. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A beautifully produced tribute celebrates the great violinist’s 70th birthday.
Vizard and Grabowsky ask will the last 114 year-old digger please turn the lights out? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
We talk to the award-winning singer about what’s hot in musical theatre today, and ask if race is still an issue. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
As the investigation into the NPEA draws to a close, has it been more about political theatre than protecting the arts? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
We explore German electro pioneers 48Nord and Australian Ballet’s resident choreographer Tim Harbour’s latest creation. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Devils and tritones and nuns! Oh my!
Forget CDs, books that beep, and toys that whirr. When it comes to child development playing music trumps them all. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Alondra de la Parra chats with Limelight’s Editor about her life, passions and aims for the orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Speak Percussion (plus 100 friends) make a quietly epic splash at the Melbourne Festival. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Turns out cooking a really good French meal is akin to performing classical music; you can’t fake either of them.
Sydney Dance Company’s Artistic Director turned a hellish experience into the dance triumph of the year. But what comes next? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
