500 episodes and counting: Peter Eyers talks to Limelight Editor Jo Litson about his long-running STAGES podcast.

Let’s take a moment to appreciate the humble percussionist, and their sometimes less-than-obvious contributions to the music we love.

Now touring Australia, Karen Gomyo talks about her love for Dvořák's Violin Concerto, her pre-concert rituals and the importance of staying grounded.

Gregg Arthur and the art of jazz singing: "I don’t want to be one of those guys who just impersonates a famous recording."

Ahead of its Brisbane Festival season, Irish choreographer Luke Murphy unpacks his marathon dance-theatre epic.

Australians are making waves in the international new music scene, as seen in Bang on a Can’s Summer Festival earlier this month.

Log in to read the PDF version of Limelight's September 2024 magazine.

Shake & Stir Theatre Co is renowned for its adaptations of literary classics. Ahead of a tour of Frankenstein, we talk to two of its artistic directors.

The number of Australians with their sights set on an international conducting career hasn’t changed, but their success rate is down. Why?

We talk to author Katherine Wiles and other creatives about their colourful careers in the Opera Australia Chorus.

Emma Sandall talks about her new solo show, inspired by Sheila Heti’s novel Motherhood, which features movement, animations and a score by Elena Kats-Chernin.

Jakub Jankowski explains how his new piece for the ACO is built around a musical device popular during the Baroque period.