Christine Brewer on the role of Isolde
The soprano shares her thoughts on the role she sang earlier this year with the Sydney Symphony Orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The soprano shares her thoughts on the role she sang earlier this year with the Sydney Symphony Orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
From Broadway to the Super Bowl, from Rosenkavalier to Rock albums, this soprano is beginning to look like she's done it all.
Though it may sound glamorous, getting Greta Bradman's latest project off the ground took more sticky tape than you might think.
Sydney Chamber Choir’s new music director aims to continue the tradition of commissioning new Australian music. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The composer admits to an obsession with the passage of time in his latest work for the West Australian Symphony Orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Award-winning pianist Daniel de Borah shares why he’s embracing the camaraderie of chamber performance. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The pianist talks about his early passions, the rigours of Alfred Brendel and surviving a Liverpudlian seagull swoop.
If every arts outfit that didn’t turn a profit were to shut up shop it would be a cultural desert out there.
How the work of Wagner changed the way in which this conductor saw the world. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Australian Ballet Artistic Director shares his thoughts on the genius of Tchaikovsky. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The highs and lows of the Russian master's Terpsichorean trio.
Sydney will be a last chance to catch a once-in-a-generation artist’s fond farewell.
On choosing between classical and jazz, the old and the new, and the challenge of Rach Three.