The mindset of Kirill Gerstein
On choosing between classical and jazz, the old and the new, and the challenge of Rach Three.
On choosing between classical and jazz, the old and the new, and the challenge of Rach Three.
Not only could Cage prepare a piano, he could also whip up a mean fungal ragout. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
With all of the options that today’s orchestras have, what is it that makes Historically Informed Performances so special? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of her performances in Master Class, the actor explains her preparation for the role of La Divina. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A short history of Chekhov’s first major dramatic work. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The SSO’s chief conductor chats to Limelight’s Editor Clive Paget about the thrills and spills of the year ahead. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Polish pianist talks about growing up behind the Iron Curtain, battling with Bach and being his own worst critic.
The Australia Piano Quartet are thriving against the odds. APQ cellist Thomas Rann shares the secret of their success.
Faced with what seemed a creative dead end, Arnold Schoenberg discovered a radical new way to compose. Its impact has inspired and infuriated in equal measure.
Alan John’s tempestuous score looks more East than West. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of Opera Australia’s opening, the no-nonsense British director explains why Mozart matters. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
How simplified versions of traditional instruments like the oboe are helping European children learn music.
The rehearsal diary of the Sydney-born mezzo, currently singing with the UK’s Grange Park Opera. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in