Award-winning pianist Daniel de Borah shares why he’s embracing the camaraderie of chamber performance. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

The pianist talks about his early passions, the rigours of Alfred Brendel and surviving a Liverpudlian seagull swoop.

If every arts outfit that didn’t turn a profit were to shut up shop it would be a cultural desert out there.

How the work of Wagner changed the way in which this conductor saw the world. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

The Australian Ballet Artistic Director shares his thoughts on the genius of Tchaikovsky. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

The highs and lows of the Russian master's Terpsichorean trio.

Sydney will be a last chance to catch a once-in-a-generation artist’s fond farewell.

On choosing between classical and jazz, the old and the new, and the challenge of Rach Three.

Not only could Cage prepare a piano, he could also whip up a mean fungal ragout. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

With all of the options that today’s orchestras have, what is it that makes Historically Informed Performances so special? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Ahead of her performances in Master Class, the actor explains her preparation for the role of La Divina. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

A short history of Chekhov’s first major dramatic work. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in