Gillian Wills tells Jo Litson about her debut novel Big Music.

The Australian violinist discusses playing with the Australian World Orchestra, where she is this year’s Concertmaster.

Blind from birth, Nobuyuki Tsujii began playing his toy piano when he was two, and he has lost none of the joy he felt as a child.

Kim Williams discusses the future of the ABC and public broadcasting.

Composer and Artistic Director Evan J Lawson chats with Maddy Briggs about Forest Collective’s upcoming, multidisciplinary concert series.

After 25 years, the Wharf Revue is calling it quits. Co-creator Jonathan Biggins looks back at its history ahead of its final production.

The Spiegelmaestro behind La Clique traces his journey from jazz pianist to theatrical producer and owner of The Famous Spiegeltent.

Kyiv-born Finnish conductor Dalia Stasevska chats with Clive Paget about her path to the podium, her support of Ukraine, her growing love of Ukrainian music and why she has released a classical mixtape.

A round-up of our recent news reports.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Guy Noble asks whether artists have the right to free speech, or if it depends on the context. And why are Australian arts organisations having such trouble retaining cultural leaders?

Graeme Koehne introduces his latest work for the Adelaide Symphony Orchestra, which he describes as “an aesthetic discussion in music”.