Emma Sandall talks about her new solo show, inspired by Sheila Heti’s novel Motherhood, which features movement, animations and a score by Elena Kats-Chernin.

Jakub Jankowski explains how his new piece for the ACO is built around a musical device popular during the Baroque period.

Over a 30-year career, Andreas Scholl’s voice has retained its remarkable beauty. He talks to us about his instrument and the road to fame.

Tan Dun talks about his choral concerto Nine and violin concerto Hero, which he is to conduct for Melbourne Symphony Orchestra.

In 2025, Mark Wigglesworth becomes Chief Conductor of the Adelaide Symphony Orchestra. He talks about his approach to conducting, and his passion for cricket.

The Finnish pianist, composer, conductor and curator discusses his program for this year’s UKARIA 24 festival.

Sydney Philharmonia Choirs’ new Executive Director discusses his lifelong love of choral music and why he said no to Bear Grylls.

En route to the Adelaide Guitar Festival, Xuefei Yang talks about her trailblazing career as China’s first internationally celebrated classical guitarist.

A round-up of our recent news reports.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

The latest arts appointments and departures.

Fairy dust, relationship counselling and Mahler are all part of the job says British flautist Michael Cox.